Tag Archives: Dyckman Farmhouse Museum

Dyckman Farmhouse Museum: The Ancestor’s Future: An Afrofuturist’s Journey Through Time

Opening on April 30th at 6PM, Cheyney’s McKnight’s “The Ancestor’s Future: An Afrofuturist’s Journey Through Time,” explores community bonds, community healing, and community adaptability. McKnight speculates on a distant future while looking to the past and present to inform us on how Black Americans may get to a future where Black bodies and communities reap the full benefits of their creativity, ingenuity, resources, and labor. As part of this exhibition, Cheyney has developed a series of performance art pieces to engage with the community.

FREE WITH MUSEUM ADMISSION
May 4th, 11AM-1PM
May 11th, 11AM-1PM
June 1st, 11AM-1PM
June 8th, 11AM-1PM
June 15th, 11AM-1PM
June 22nd, 11AM-1PM
June 29th, 11AM-1PM

How do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist, Artist, and Historical Interpreter Cheyney McKnight in her exhibit, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum. The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation. The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past, how it is impacting the present, and hear speculations about the far future of the Diaspora through the lens of descendants.

Dyckman Farmhouse Museum: The Ancestor’s Future: An Afrofuturist’s Journey Through Time

Opening on April 30th at 6PM, Cheyney’s McKnight’s “The Ancestor’s Future: An Afrofuturist’s Journey Through Time,” explores community bonds, community healing, and community adaptability. McKnight speculates on a distant future while looking to the past and present to inform us on how Black Americans may get to a future where Black bodies and communities reap the full benefits of their creativity, ingenuity, resources, and labor. As part of this exhibition, Cheyney has developed a series of performance art pieces to engage with the community.

FREE WITH MUSEUM ADMISSION
May 4th, 11AM-1PM
May 11th, 11AM-1PM
June 1st, 11AM-1PM
June 8th, 11AM-1PM
June 15th, 11AM-1PM
June 22nd, 11AM-1PM
June 29th, 11AM-1PM

How do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist, Artist, and Historical Interpreter Cheyney McKnight in her exhibit, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum. The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation. The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past, how it is impacting the present, and hear speculations about the far future of the Diaspora through the lens of descendants.

Dyckman Farmhouse Museum: The Ancestor’s Future: An Afrofuturist’s Journey Through Time

Opening on April 30th at 6PM, Cheyney’s McKnight’s “The Ancestor’s Future: An Afrofuturist’s Journey Through Time,” explores community bonds, community healing, and community adaptability. McKnight speculates on a distant future while looking to the past and present to inform us on how Black Americans may get to a future where Black bodies and communities reap the full benefits of their creativity, ingenuity, resources, and labor. As part of this exhibition, Cheyney has developed a series of performance art pieces to engage with the community.

FREE WITH MUSEUM ADMISSION
May 4th, 11AM-1PM
May 11th, 11AM-1PM
June 1st, 11AM-1PM
June 8th, 11AM-1PM
June 15th, 11AM-1PM
June 22nd, 11AM-1PM
June 29th, 11AM-1PM

How do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist, Artist, and Historical Interpreter Cheyney McKnight in her exhibit, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum. The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation. The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past, how it is impacting the present, and hear speculations about the far future of the Diaspora through the lens of descendants.

Dyckman Farmhouse Museum: The Ancestor’s Future: An Afrofuturist’s Journey Through Time

Opening on April 30th at 6PM, Cheyney’s McKnight’s “The Ancestor’s Future: An Afrofuturist’s Journey Through Time,” explores community bonds, community healing, and community adaptability. McKnight speculates on a distant future while looking to the past and present to inform us on how Black Americans may get to a future where Black bodies and communities reap the full benefits of their creativity, ingenuity, resources, and labor. As part of this exhibition, Cheyney has developed a series of performance art pieces to engage with the community.

FREE WITH MUSEUM ADMISSION
May 4th, 11AM-1PM
May 11th, 11AM-1PM
June 1st, 11AM-1PM
June 8th, 11AM-1PM
June 15th, 11AM-1PM
June 22nd, 11AM-1PM
June 29th, 11AM-1PM

How do Black descendants of those enslaved in America envision the future of sites of enslavement? Join Afrofuturist, Artist, and Historical Interpreter Cheyney McKnight in her exhibit, The Ancestor’s Future: An Afrofuturist’s Journey Through Time at Dyckman Farmhouse Museum. The exhibit is a personally curated journey from the past of Black America to the future of the African diaspora that uses clothing and set design to center the descendants in the conversation. The public is invited to join Mcknight along with other descendants over a cup of tea in a conversation about the African experience in America’s past, how it is impacting the present, and hear speculations about the far future of the Diaspora through the lens of descendants.

Dyckman Farmhouse: José Luis in the Parlor

***THIS EVENT IS FREE WITH MUSEUM ADMISSION** Tickets cost $3 per person, and are free for Inwood Residents.

Wander the Dyckman Farmhouse Museum while listening to the beautiful sounds of Jose Luis on the harp! Jose will play at the farmhouse during open hours. Find Jose set up in the farmhouse parlor on:

Saturday, April 20 12PM-2PM

Saturday, May 18: 12PM-2PM

Friday, May 24: 1PM-3PM

Friday, June 7: 1PM-3PM

Jose Luis has been performing for over thirty years and is highly regarded as a gifted harpist by his peers. Jose Luis is the only harpist to play both the classic concert harp and the Latin lever harp; which requires him to pluck the strings with two different techniques; the first uses his fingertips and the second his nails.

Jose Luis first fell in love with the sound of the harp and began studying in his early teens with Maestro Jose Serrano in Puerto Rico. He later visited Los Angeles to take private lessons with the world-renowned harpist and composer Alfredo Rolando Ortiz.

 

ESTE EVENTO ES GRATUITO CON LA ENTRADA AL MUSEO

Las entradas cuestan $3 por persona y son gratis para los residentes de Inwood ¡Pasea por el Museo Dyckman Farmhouse mientras escuchas los hermosos sonidos del arpa con José Luis! José tocará en la granja durante el horario de apertura. Encuentra a José en el salón de la granja en:

Sábado, 20 de abril: 12:00 p.m. a 2:00 p.m.

Sábado, 18 de mayo: 12:00 p.m. a 2:00 p.m.

Viernes, 24 de mayo: 1:00 p.m. a 3:00 p.m.

Viernes, 7 de junio: 1:00 p.m. a 3:00 p.m.

José Luis lleva más de treinta años tocando el arpa y es muy respetado por sus colegas como un arpista talentoso. José Luis es el único arpista que toca tanto el arpa de concierto clásica como el arpa de palanca latina; lo que requiere que toque las cuerdas con dos técnicas diferentes; la primera utiliza los dedos y la segunda las uñas. José Luis se enamoró por primera vez del sonido del arpa y comenzó a estudiar en su adolescencia con el Maestro José Serrano en Puerto Rico. Más tarde visitó Los Ángeles para tomar clases con el mundialmente reconocido arpista y compositor Alfredo Rolando Ortiz.